I think overall she needs better management and more promotion. This last single is the one that sounds more like a typical Janelle's song. I'm curious about all the videos she has in store. It entered the charts, it reached number 37 on pop, a first time crossover from urban for her and she didn't promote the song at all. Her team messed up a little bit with make me feel.
I really want Janelle to shine this era she is a great talent and deserves it. I think this song is super catchy and will do fine on the radio if released as a single. I am very excited as well and I love the new direction she is going visually and musically. E-mail - orgNote - Report post to moderator If it's anything like her previous work I will analize elements for months I love the tracks released but I want to hear and watch the entire album before talking too much about it. Many students were able to see themselves as dirty computers, whether it was because of their race, their religious beliefs, their sexuality, their gender identity, their style of clothing, their opposition to capitalism, their status as women (particularly women of color) in STEM or in traditionally-male dominated fields.Ĭhaniqua Simpson is a doctoral candidate in sociology and anthropology and a graduate assistant in the Women’s Center.I'm excited about this era, she's definitely doing something different from her previous 2 records and I'm here for this. While some members hesitated, we quickly came to the conclusion that dirty computers are just outside the norm of dominant white, male, heterosexual standards. We ended the event with ways that we identified as dirty computers. The group tied Monae’s film to how Europeans forcefully assimilated different groups through colonialism, most notably indigenous groups in the United States. One where she tries to take ownership over her sexuality, her body, her power.
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Here, Janelle Monae is a black queer woman trying to live in a world that’s free and loving. Dirty is living outside of the norms of society. Throughout the discussion, the idea that those in power had the ability to label anything outside the ordinary as inferior or as dirty resonated with the students. Historical Context and Defining Dirty Computers I enjoyed hearing the reflections of the other attendees, particularly how we all identified as “dirty computers.” The event was powerful and thought-provoking. I am a fan of Janelle Monae, resident pansexual, and it was great to have conversations about Afrofuturism. Shantoneeka Zorn reflected, “I love the album.
This was a future where people had control over their sexuality. These futures included one without labels or hierarchy.
Students enjoyed discussing the types of futures Monae envisioned in her e-motion picture. Students came up with a definition of Afrofuturism - the incorporation of science, arts and technology through a black lens - and decided that Monae’s film does this through elements of suspense, uncertainty, struggle and liberation, putting them “on the edge of their seat the whole time.” Black Queer Futures Students who attended the viewing shared thoughts on the ideas of Afrofuturism and what that looks like for Monae and in broader African/Black culture currently. As Monae was being unwillingly prepped for the final stage of memory clearing - a computer reboot, if you will - students were transported into her memories, visions and dreams. Monae is a “dirty computer” who needs to be wiped clean in order to fit in with society. The e-motion picture, which is set in a possibly “not-so-distant” future, features the artist being held in a chamber, attempting to remember bits of her past. Students from various parts of campus came to watch the film and talk about what the artists’ work, vision and film means for them in the current moment. On Friday, January 11, 2019, the Women’s Center and Women of Welch (WOW) welcomed back students with a showing and discussion of Janelle Monae’s Dirty Computer e-motion picture.